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作 者:陈宁 曹一凡 CHEN Ning;CAO Yifan(Art and Archabology School,Jingdezhen Ceramic University,Jingdezhen 333403,China)
机构地区:[1]景德镇陶瓷大学艺术文博学院,景德镇333403
出 处:《中国陶瓷》2022年第5期98-107,共10页China Ceramics
摘 要:唐代以开放包容的社会风气和积极开明的国家政策,吸引着海外诸国纷纷来华交流。在这一过程中,中外文化艺术相互影响、相互借鉴、相互吸收,而陶瓷器物的制作则是这一时期中外文化艺术相互影响的典型代表。巩义窑是唐代北方的重要窑口,曾一度生产宫廷使用的贡瓷,辉煌一时。试以唐代巩义窑的陶瓷制作为例,从造型和装饰两个方面系统探讨外来文化对其陶瓷制作的影响,并深入分析其背后的形成原因,希望以此为基点,能从具体层面反映外来文化对唐代文化艺术所产生的重要影响。The Tang Dynasty,with its open and inclusive social atmosphere and positive and enlightened national policy,attracted many overseas countries to come to China for exchanges.In this process,Chinese and foreign culture and art can learn from each other,absorb and imitate each other,and the production of ceramic ware is the typical representative and concrete manifestation of the mutual influence of Chinese and foreign culture and art in this period.Gongyi kiln was an important kiln in the northern China of the Tang Dynasty,and its ceramics were presented to the court as tribute and once glorious.The author attempts to take the ceramic production of Gongyi kiln as an example to systematically explore the influence of foreign culture on the production of its utensils from the aspects of modeling and decoration,and deeply analyze the reasons behind the influence,hoping to reflect the important influence of foreign culture on the culture and art of Tang Dynasty from the specific level.
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