论《源氏物语》的“物哀”美学  

On the Aesthetics of“Mononoaware”in The Tale of Gen ji

作　　者：刘晓昱 LIU Xiao-yu(School of Foreign Languages,Zhengzhou University of Commerce,Gongyi,451200,China)

机构地区：[1]郑州商学院外国语学院,河南巩义451200

出　　处：《湖州职业技术学院学报》2022年第1期44-47,67,共5页Journal of Huzhou Vocational and Technological College

摘　　要：紫式部的《源氏物语》是日本古典文学的巅峰之作,其“物哀”美学风格对日本文化有着深远的影响。紫式部通过细致入微的心理描写,将人物对自然景物、世情民生以及宫廷女性自身的哀婉叹息之情表达得动人心弦。《源氏物语》所表现出的“物哀”美学深受佛教“无常”思想的影响。主人公对四季的变换、生命的流逝极其敏感多情,虽生活在皇宫,却无心参与权力斗争,一心追求纯粹的“物哀”之美。《源氏物语》中的这些“物哀”美学特征是日本物哀文化最重要的组成部分,对了解和研究日本民族文化具有重要意义。Murasaki Shikibu’s The Tale of Gen ji is the pinnacle of Japanese classical literature.Its aesthetic style of“mononoaware”has a far-reaching impact on Japanese culture.Through meticulous psychological description,the purple style department expresses the characters’sad sigh for the natural scenery,the world and the people’s livelihood and the palace women themselves.The aesthetics of“mononoaware”expressed in The Tale of Gen ji is deeply influenced by the thought of“impermanence”of Buddhism.The protagonist is extremely sensitive to the changes of the four seasons and the passage of life.Although he lives in the palace,he has no intention of power struggle and is bent on pursuing the beauty of pure“mononoaware”.These aesthetic features of“mononoaware”in The Tale of Gen ji are the most important part of Japanese mononoaware culture,which is of great significance for understanding and studying Japanese national culture.

关 键 词：《源氏物语》 “物哀”美学 日本文化 紫式部 本居宣长 

分 类 号：I106.4[文学—世界文学]