唐代丝织品中的狮纹及其文化源流探究  

Research on the lion motif in the Tang Dynasty silks and its cultural origin

作　　者：尚泽丽 王乐[1,2] SHANG Zeli;WANG Le(College of Fashion and Design,Ministry of Education,Donghua University,Shanghai 200051,China;Key Laboratory of Clothing Design and Technology,Ministry of Education,Donghua University,Shanghai 200051,China)

机构地区：[1]东华大学服装与艺术设计学院,上海200051 [2]东华大学现代服装设计与技术教育部重点实验室,上海200051

出　　处：《丝绸》2022年第6期118-126,共9页Journal of Silk

基　　金：国家重点研发计划资助项目(2019YFC1521300)。

摘　　要：丝织品上的狮纹图案在北朝出现并得到发展,至唐宋时期逐渐繁荣兴盛并定型,对元明清时期及后代的狮纹发挥着重要影响,但学界缺乏对唐代这一重要时期丝织品上狮纹图案深入且综合的研究。文章以唐代出土并发现的狮纹丝织品为基础,综合文献、图像和实物等多重证据对丝织品中的狮纹进行研究,旨在探究丝绸之路影响下丝织品上狮纹造型及形制在唐代的演变,及其体现出的东西方装饰艺术、技术的沟通交流,分析狮纹图案的文化渊源。研究结果显示,唐代丝织品中的狮纹主要受印度佛教和中亚、西亚文化的影响而形成了不同风格,其在本土化的过程中延续中国早期神兽崇拜思想并融合本民族文化特色,演变为独特的中华文化吉祥象征图像要素。这一发展过程展现了传统纹样对异域文化的吸收,对探寻丝绸之路上文化的交流互鉴有着深远意义。As a cultural symbol from foreign countries,the lion motif gradually combined with the ancient Chinese culture as an image of auspicious animals in the Tang Dynasty,and its development in China has a unique role and meaning.The lion motif on silk fabrics,which first appeared in the Northern Dynasties,flourished and gradually took shape in the Sui and Tang Dynasties,has an important impact on the development of the lion motif of later dynasties.As the result of the mutual evolution of various cultural factors along the Silk Road,the lion motif on silk fabrics has witnessed the collisions,exchanges and integration of Chinese and foreign cultures on the Silk Road,which is of great research significance.However,the former researchers lack more in-depth and comprehensive research on the lion motif on silk fabrics in the Tang Dynasty.Based on the lion motif silk fabrics in the Tang Dynasty,this paper studies the lion motif on silk fabrics with multiple evidences such as literature,images and silks.This paper aims to explore the communication between the Eastern and Western decorative arts and technologies reflected in the evolution of the lion motif and forms on silk fabrics in the Tang Dynasty under the influence of the Silk Road,and analyze the cultural origin of the lion motif.At the same time,with the lion images on concurrent gold and silverware,stone carvings and other artistic forms as a supplement,the particularity of lion decoration on silk fabrics and the cultural exchanges behind this particularity are analyzed.The following conclusions are drawn.The lion motifs on silk fabrics of the Tang Dynasty influenced by Indian Buddhist culture are mostly lying lion images,which are presented together with typical themes and elements in Buddhist culture as Buddhist guardians.The lion motif influenced by the winged lion culture in the Central Asia and Western Asia is dominated by the paired winged lions in roundels.This exotic kind of lion pattern has connections with Zoroastrianism.Lion motif silk fabrics with lion hu

关 键 词：唐代 狮纹 丝绸之路 丝织品 文化 中西交流 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程] J523.6[艺术—艺术设计]