北宋“岩川醉仙神”石刻画像引论——元祐更化下道释人物画的变革  

An Introduction to the Stone Carvings of "Yanchuan Drunk Immortal" in the Northern Song Dynasty——The reform of Daoist and Buddhist figure painting during the Yuanyou party struggle

作　　者：许永福 Xu Yongfu

机构地区：[1]山东大学艺术学院,山东济南250199

出　　处：《南京艺术学院学报（美术与设计）》2022年第2期133-141,I0012,共10页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：济南市长清区所刻“岩川醉仙神”石刻画像,为北宋元祐二年(1087)十月所作,通过石刻画像及六处题跋,结合元祐二年前后文献相关史料考证,该画像为目前惟一暂见于世的北宋配享功臣像,画像人物为神宗赵顼与丞相富弼,该画像与神宗神御、元祐更化、东封泰山、道教皇权化以及西域美术南传等息息相关,有非常重要的美术史价值。The stone por trait of "Yanchuan Drunk Immor tal" car ved in Changqing District of Ji’nan City was made in October of the second year of Yuanyou period in the Nor thern Song Dynasty(1087). Through the stone car vings and six inscriptions and postscripts, combined with the textual research of relevant historical materials around the second year of Yuanyou period. The por trait characters are Shenzong Zhao Xu, and Fu Bi, the prime minister, and they are the only of meritorious officials worshiped along with Confucius in the Nor thern Song Dynasty seen now. The por trait is closely related to the emperor Shenzong’s travel, Yuanyou par ty struggle, sacrificial ceremony of Mount Tai, transforming Taoism into the imperial power and the southern transmission of ar t in the western regions, and has a ver y impor tant value in the histor y of ar t.

关 键 词：醉仙神 赵顼 富弼 神御 配享 

分 类 号：J206[艺术—美术]