民歌与曲牌的共生关系研究--以紫阳民歌剧为例  

Research on the Symbiotic Relationship between Folk Songs and Qupai--Taking Ziyang Folk Opera as an Example

作　　者：侯璐璐 HOU Lu-lu(School of Music,Baoji University of Arts and Sciences,Baoji 721013,Shaanxi)

机构地区：[1]宝鸡文理学院音乐学院,陕西宝鸡721013

出　　处：《宝鸡文理学院学报（社会科学版）》2022年第3期120-128,共9页Journal of Baoji University of Arts and Sciences：Social Science Edition

基　　金：陕西省教育厅科研项目:陕西本土音乐的“声音景观”文化研究(项目编号:19JK0018)。

摘　　要：紫阳民歌剧产生于20世纪50年代末,以地方民歌为基础的声腔体系是其最大特色,也是其能够以地方性戏曲跻身国家剧种名录的关键。本文以紫阳民歌剧的唱腔为核心,对原生民歌与戏曲曲牌之间的互动关系做了详细分析。作为一种新兴剧种,其结构程式、曲牌规则、表演模式等方面虽还处于开放状态,具有极强的可塑性,但通过对其用乐模式的研究,唱腔音乐上的程式性已经初步显露。紫阳民歌剧中民歌与曲牌的互动关系给了我们一个“以今鉴古”的视角,让我们穿越历史的尘雾,回溯传统戏曲形成初期可能存在过的民歌与曲牌相互纠缠的历史画面。Ziyang folk opera was produced in the late 1950s.The vocal system based on local folk songs is its biggest feature,and it is also the key to its ability to be included in the list of national operas as a local opera.This paper takes the singing of Ziyang folk opera as the core,and makes a detailed analysis of the interactive relationship between the native folk songs and the qupai.As a new type of opera,its structural formula,qupai rules,performance mode,etc.are still in an open state and have strong plasticity,but through the study of its music mode,the programmaticity of singing music has been preliminarily revealed.The interactive relationship between folk songs and qupai in Ziyang folk opera gives us a perspective of“learning from the past”,so that we can go through the dust and fog of history and look back upon the historical picture of the intertwined folk songs and qupai that may have existed in the early days of traditional opera.

关 键 词：紫阳民歌 紫阳民歌剧 民歌与曲牌 互动关系 

分 类 号：J607[艺术—音乐]