论王建中《随想曲》创作的民族情怀  

On the National Feelings in Wang Jianzhong’s Capriccio

作　　者：郑尧 ZHENG Yao(College of Music,Hanshan Normal University,Chaozhou,Guangdong 521041)

机构地区：[1]韩山师范学院音乐学院,广东潮州521041

出　　处：《汕头大学学报（人文社会科学版）》2021年第11期13-17,94,共6页Journal of Shantou University(Humanities and Social Sciences Edition)

摘　　要：王建中先生2012年创作的《随想曲》是其创作生涯中最后一部极具影响力的代表性作品,也是他运用现代作曲技法在创作上的一次大胆的转变。他汲取中国传统美学养分,渗透在作品的一枝一叶中,充分体现其创作的民族情怀,使得这部作品的技术性、艺术性和审美性高度融合,具有深层次的中国人文精神和文化美学涵义,对当代中国钢琴音乐创作如何把握传承和创新有着重要的借鉴意义。Capriccio created by Wang Jianzhong in 2012 is the last representative work with great influence in his creative career, and is also a bold turn in his use of modern composition techniques. He absorbs the nutrients of Chinese traditional aesthetics and infuse them in each detail of this piece, which reflect his national feelings and integrate the technicality, artistry and aesthetics. It embodies the depth of Chinese humanistic spirit and cultural aesthetics, and functions as an important reference for the inheritance and innovation of contemporary Chinese piano music creation.

关 键 词：《随想曲》 王建中 创作 民族情怀 

分 类 号：J644[艺术—音乐]