形式与边界——探索即兴电影的创作  

Form and Boundary——Exploring the Creation of in Improvisation Films

作　　者：肖湘宁[1] 林子锋 XIAO Xiangning;LIN Zifeng

机构地区：[1]上海戏剧学院电影学院,上海201112

出　　处：《浙江艺术职业学院学报》2022年第1期59-63,69,共6页Journal of Zhejiang Vocational Academy of Art

摘　　要：从即兴戏剧切入,在认识到“即兴电影”有其讨论的必要性这一前提下,着重讨论何为即兴电影,并在方法论层面上进行一些粗浅归纳,引申出格洛托夫斯基“神圣表演”的思考,并试图探究其产生的机制和内在的发展逻辑。On the premise of recognizing the necessity of discussing“improvisation”,this paper cuts from Improvisational Drama,and focuses on what is Improvisation Film,and makes some superficial induction on the level of methodology,and tries to think about its mechanism and internal development logic.

关 键 词：即兴电影 电影边界 格洛托夫斯基 

分 类 号：J904[艺术—电影电视艺术]