大唐之声:唐诗中的鼓声书写  

The Sound of Tang: The Writing of Drumming in the Poetry of the Tang Dynasty

作　　者：张灵慧 ZHANG Linghui(Collage of Humanities,Shanghai Normal University,Shanghai 200234,China)

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《上饶师范学院学报》2022年第2期65-73,共9页Journal of Shangrao Normal University

基　　金：国家社会科学基金项目(20BZW060)。

摘　　要：已有研究对唐诗中的钟声关注较多,但缺乏对唐诗中的鼓声书写的探讨。鼓声是唐诗中非常重要的声音景观,也是大唐疆域上具有代表性的声音景观,在不同的空间中有着不同的审美感受和文化内涵。在国家祭祀空间和寺观中,鼓声洪亮肃雍,代表着神圣和崇高;在民间祭祀中鼓声繁杂热闹,神秘之外表现了世俗的欢乐。在边塞空间中,鼓声是战争的信号声,也是边塞的标志声,在唐诗中特别联系着报国之念和功业之思;而在城市空间中,鼓声既作为乐声出现在节日庆典、宴会、挽歌中,也作为报时的信号声响彻宫廷和街市,鼓声所代表的早朝声关联着国家的气象威仪和士人的功名抱负。The existing studies pay more attention to the sound of bell in the poetry of the Tang Dynasty, but lack discussion on the writing of drumming. Drumming is a very important soundscape in the poetry of Tang, as well as a representative soundscape in the territory of Tang. It has different aesthetic feelings and cultural connotations in different spaces. In the national sacrificial space, Buddhist temples and Taoist temples, the drumming is sonorous and solemn, representing holiness and sublime;in the folk sacrifices, it is fast-paced and lively, showing the earthly delight besides mysteriousness. In the frontier and battlefield space, the drumming is the signal of war and the sign of the frontier, related with the thought of serving the country and searching personal achievement particularly in the Tang poetry. However, in the urban space, the drumming appears in festivals, banquets, elegies as musical sound, and also rings out through the palace, streets and markets as a signal of the hour;the drumming of early morning meeting is associated with the national dignity and personal official status and fame.

关 键 词：鼓声 唐诗 声音景观 

分 类 号：I207.22[文学—中国文学]