颂美与自陈之间——从三首赠韦济诗看杜甫长安时期的干谒诗写作  

Hovering Between Sincerity and Flattery——Du Fu’s three poems to Wei Ji and other Ganye poems in the Chang’an Period

作　　者：李成凯 LI Chengkai(College of Literature and Journalism,Sichuan University,Chengdu Sichuan 610207,China)

机构地区：[1]四川大学文学与新闻学院,四川成都610207

出　　处：《上饶师范学院学报》2022年第2期74-80,共7页Journal of Shangrao Normal University

摘　　要：杜诗传世文本中有创作于长安时期的干谒诗,凡15首。杜甫极少两度干谒同一对象,但却有三首酬赠韦济之作。此三首赠韦济诗结构章法各异,创作时间有明显先后之别,反映了杜甫天宝七载至天宝十一载间在长安的心境变迁。以三首赠韦济诗为参照,考察杜甫长安时期干谒诗的整体创作,能发现谋篇布局中颂美与自陈的不同侧重造成了干谒诗内部的分野,从而对多数干谒诗结构与内容的模式化有更全面、系统的观照。诗歌谋篇布局差异的背后,是杜甫在干谒求提携与自我任真间的徘徊纠结。名篇《奉赠韦左丞丈二十二韵》是干谒韦济、回归自我的高亢尾音,却只是杜甫干谒之中点。There are fifteen poems about begging for favor composed by Du Fu during the Chang’an period. Du Fu seldom wrote two Ganye poems to the same subject, but there are three poems in honor of Wei Ji. These three poems to Wei Ji differ in structure and chapter style, and are composed in a distinctly different sequence, reflecting the changes in Du Fu’s state of mind in Chang’an between the seventh and eleventh years of Tianbao. Taking the three poems to Wei Ji as reference, people can examine the overall composition of Du Fu’s Ganye poems and find that the different emphasis on flattery and sincerity in the layout of the poems has created a division within the Ganye poems, thus providing a more comprehensive and systematic look at the pattern of structure and content of most Ganye poems. Behind the differences in the layout of the poems is Du Fu’s wandering between the need to seek promotion and the need to be true to himself. The famous poem, Respectfully Presented to Vice-Director of the Left, the Senior Wei(22 rhymes), is a high-pitched coda to a visit to Wei Ji and a return to himself, but it is only the midpoint in seeking promotion.

关 键 词：干谒诗 杜甫 赠韦济诗 

分 类 号：I207.22[文学—中国文学]