《山海经》瑞兽纹在现代服饰中的应用研究  

Research on the Application of the Auspicious Animal Pattern in"Shan Hai Jing"in Modern Clothing

作　　者：高娅雯 袁大鹏(指导) Gao Yawen

机构地区：[1]武汉纺织大学服装学院

出　　处：《服装设计师》2022年第7期119-126,共8页Fashion China

摘　　要：《山海经》中的瑞兽文化内涵丰富,具有发展潜力,在兽纹的设计中具有一定的指向作用。笔者按照《山海经》中瑞兽生物名称、生物种类、外貌特征等描写,将瑞兽分为四大类。再根据《山海经》不同类别瑞兽在现代服饰设计中的实际案例,将《山海经》瑞兽纹在现代服饰中的设计表现手法进行分类。现实动物适合具象化、突出主要特征表现手法;组合动物适合中西方文化融合的表现手法;人兽组合类的动物适合连续纹样、夸张、添加组合抽象、怪诞的表现手法;伴生类的动物具有故事背景,适合故事组合的表现手法。The auspicious animal culture in Shan Hai Jing has rich connotations and potential for development,and has a certain directional role in the design of animal patterns.The author divides the auspicious beasts into four categories according to the descriptions of the auspicious beasts in the"Shan Hai Jing",such as the names,biological types,and appearance characteristics.Then,according to the actual cases of different types of auspicious animals in the moder n clothing design in"The Classic of Mountains and Seas",the design and expression methods of the auspicious animal patterns in the"Shan Hai Jing"in modern clothing are classified.Real animals are suitable for figurative,highlighting the main characteristics of the expression;combined animals are suitable for the expression of the fusion of Chinese and Western cultures;animals in the combination of human and beast are suitable for continuous patterns,exaggeration,adding abstraction,and grotesque expression;companion animals have The background of the story is suitable for the expression of the story combination.

关 键 词：《山海经》瑞兽纹 设计表现手法 现代服饰 

分 类 号：I20[文学—中国文学]