浅探藏戏面具艺术  

On the Mask Art of Tibetan Opera

作　　者：王霞 杨晓玲 郑冬雪 WANG Xia;YANG Xiaoling;ZHENG Dongxue(Kunming University,Kunming 650214,China)

机构地区：[1]昆明学院,云南昆明650214

出　　处：《鞋类工艺与设计》2022年第3期90-92,共3页SHOES TECHNOLOGY AND DESIGN

摘　　要：中国地大物博,民族众多,少数民族艺术拥有崇高的地位。藏戏的地位在其中更是首屈一指,这离不开藏戏面具的加持,藏戏面具就是藏戏的灵魂。本文对藏戏的起源,藏戏面具的样式、类别及色彩背后的含义做了比较完善的阐释,也对藏戏面具未来的发展与保护做出展望与设想。China is vast in territory and resources,with many nationalities,and the art of ethnic minorities has a high status.The status of Tibetan Opera is second to none,which is inseparable from the blessing of Tibetan opera mask,which is the soul of Tibetan opera.This paper makes a relatively perfect explanation of the origin of Tibetan opera,the style and category of Tibetan opera masks and the meaning behind the mask color.At the same time,it also makes a prospect and assumption for the future development and protection of Tibetan opera masks.

关 键 词：藏戏 面具文化 传承发扬 

分 类 号：J825[艺术—戏剧戏曲]