论“乐府变”的发展历程及其价值衡估  

On the Development and Value of “Yuefu” Variation

作　　者：贾飞[1] JIA Fei(School of Humanities,Nantong University)

机构地区：[1]南通大学文学院,江苏南通226019

出　　处：《中国文学研究》2022年第2期75-82,共8页Research of Chinese Literature

基　　金：国家社会科学基金后期资助项目“王世贞散佚文献整理与研究”(21FZWB035);江苏省社会科学基金青年项目“王世贞与中晚明文学流派关系研究”(18ZWC002);江苏省社会科学基金文脉项目“王世贞传”(19WMB008);江苏省紫金文化优青项目;江苏高校“青蓝工程”项目。

摘　　要：“乐府变”是明清文人在模拟现有乐府诗体类时产生的一种变体。自王世贞开创该体,它便具有因事而发、希冀“备采”、叙事散化等特点,深受明清文人的青睐。“乐府变”的存在,不仅扩大了乐府诗的体类和内涵,承载着文人内心的真性情,还成为后世部分历史文献的来源,具有其独特价值。不过,从明清两朝“乐府变”的创作人数和数量有限、创作过程中人员构成较为松散、作品传播方式的有限性等方面来看,它没有达到像唐代古文运动、宋代诗文革新运动那样的所谓“运动”高度。“Yuefu Bian”is a variation of the existing Yuefu poetry.Created by Wang Shizhen in the Ming Dynasty,“Yuefu Bian”has the characteristics of being caused by events,hoping to be“prepared for collection”,and decentralized narration,which were well liked by literati in the Ming Dynasty.“Yuefu Bian”enlarged the connotation of Yuefu poems,carried the true inner feelings of the literati and became the source of some historical documents of later ages.Thus,“Yuefu Bian”has its unique value.However,in the Ming and Qing Dynasties,“Yuefu Bian”was not as significant as the Classical Prose Movement in the Tang and Song Dynasties due to a limited number of creation and creators,slack organization,and inadequate ways of spreading.

关 键 词：“乐府变” 王世贞 独特性 运动 价值 

分 类 号：I206.2[文学—中国文学]