图文共现的民俗档案:清代至民国时期妙峰山庙会的多元记录  

The Co-representation of Writings and Images:The Multiple Records of Miaofeng Mountain Temple Fair during the Qing Dynasty and Republican Period

作　　者：林海聪 LIN Haicong

机构地区：[1]山东大学儒家文明省部共建协同创新中心,山东济南250100 [2]山东大学儒学高等研究院,山东济南250100

出　　处：《民俗研究》2022年第3期132-143,160,共13页Folklore Studies

基　　金：国家社会科学基金重大项目“海外藏珍稀中国民俗文献与文物资料整理、研究暨数据库建设”(项目编号:16ZDA163)的阶段性成果;山东大学基本科研业务费专项资金资助。

摘　　要：北京妙峰山庙会自清代以来就吸引了各阶层人士前往进香朝圣,受到文人墨客、画师学者以及摄影师等人的关注,由此产生了一套形式多元、内涵丰富的民俗资料。按照书写媒介的物质特征,这些民俗资料文献可分为文人笔记、碑刻、地方志、旅行指南等文字书写,风俗画、石印插画等图绘记录,以及老照片、纪录片等影像档案。得益于现代技术的不断更迭,妙峰山庙会的记录手段经历了一个从以文字为中心向图文共现的形式转化的嬗变过程。尽管各类民俗资料依赖的书写媒介和书写的侧重点各异,但最终都汇聚成为多元呈现妙峰山庙会这一“礼俗互动”文化场域的民俗档案。The Beijing Temple Fair has attracted the attention of scholars,painters,photographers from different classes to make pilgrimages to Miaofeng Mountain,resulting in a set of folk materials with multiple forms and abundant contents since the Qing Dynasty.According to the material characteristics of writing medium,these folklore documents can be divided into writings such as literati notes,inscriptions,local chronicles,and travel guides,pictorial records such as genre paintings and lithographs,and visual archives such as old photos and documentaries.Thanks to the sustainable development of modern technology,the recording method of Miaofeng Mountain Temple Fair has undergone a transformation process from word-oriented forms to the corepresentation of pictures and texts.Although various folklore materials rely on different media and emphasis on recording,they eventually converge into a folklore archive and represent the Miaofeng Mountain Temple Fair as a cultural field of interaction between etiquette and customs.

关 键 词：妙峰山庙会 文化书写 文字记录 视觉表达 民俗资料 

分 类 号：K892.24[历史地理—民俗学] K249[历史地理—历史学] K258