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作 者:钟海林[1] 柏雅萌 ZHONG Hai-lin;BAI Ya-meng(School of Literature and Journalism,Yan’an university,Yan’anShaanxi,716000,China)
机构地区:[1]延安大学文学与新闻传播学院,陕西延安716000
出 处:《晋中学院学报》2022年第4期92-97,共6页Journal of Jinzhong University
摘 要:历年来对孙犁中篇小说《铁木前传》研究的成果颇丰,但在现有研究中,杨卯儿这个“小人物”以及通过他而延伸出去的“次要人物群像”一直被学界忽略。其实,次要人物在小说叙事功能和审美意蕴方面蕴含着作者的巨大心力,对小说叙事维度的扩充和作家创作动机的呈现也大有裨益。对次要人物进行重新把握和阐释,不但可以体味《铁木前传》叙事的“芜杂性”,而且可以感受孙犁在叙事罅隙中对个人生命体验的思索与叩问。Sun Li’s novella Tiemu Qianzhuan has achieved a lot of research results over the years,but in the existing research,Yang Mao’er,a“little man”and a“group of secondary figures”extended through him,have always been ignored by the academic circles.In fact,the secondary characters contain the author’s great efforts in the narrative function and aesthetic implication of the novel,which is also of great benefit to the expansion of the narrative dimension of the novel and the presentation of the writer’s creative motivation.Regrasping and interpreting the secondary characters can not only appreciate the“clutter”of the narration of Tiemu Qianzhuan,but also feel Sun Li’s thinking and inquiry about his personal life experience in the gap of narration.
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