花样滑冰双人自由滑国际舞蹈语汇建构与解读——以2014至2022年冬奥会双人自由滑前三名为例  

Construction and Interpretation of International Dance Vocabulary for Pairs Free Skating:Take the Top Three Pairs of Free Skating in the 2014—2022 Winter Olympics as an Example

作　　者：王梓霏 王秋莎[1] 吴涛[1] WANG Zi-fei;WANG Qiu-sha;WU Tao(Capital University of Physical Education and Sports,Beijing 100191,China)

机构地区：[1]首都体育学院武术与表演学院舞蹈与音乐教研室,北京100191

出　　处：《北京舞蹈学院学报》2022年第2期8-16,共9页Journal of Beijing Dance Academy

摘　　要：文章以2014年索契、2018年平昌和2022年北京3届冬奥会双人自由滑项目比赛前3名参赛选手的竞赛舞蹈语汇为研究对象,以舞蹈学、音乐学、美学为理论基础,运用文献资料法、视频分析法、数理统计法等研究方法,对花样滑冰双人自由滑节目中的音乐主题、音乐结构、舞蹈结构、舞蹈分类进行分析。文章认为,花样滑冰双人自由滑国际舞蹈语汇的构成方式是古典语言的新突破、民族语言的新探索、戏剧结构的新转换及多种语言的新融合。从音乐、舞蹈作品的创编角度出发,可以发现竞技技术与艺术的关系,并解读其文化内涵,为我国花样滑冰的多样性发展提供有价值的理论参考;同时可扩宽舞蹈艺术的国际视野,并对其发展有一定的借鉴价值。This paper takes the dance vocabulary of the top three of pairs free skating in the Winter Olympics in Sochi 2014, Pyeongchang 2018 and Beijing 2022 as the research objects. Based on the theory of dance studies, musicology and aesthetics, it analyzes the music theme, music structure, dance structure as well as dance category of pairs free skating programs by using the methods of literature review, video analysis and mathematical statistics. It holds that the formation of international dance vocabulary for figure skating is a new breakthrough in classical language, a new exploration of national language, a new transformation of theatrical structure as well as a new integration of multiple languages. From the perspective of music and dance creation, we can find the relationship between competitive technique and art, and interpret its cultural connotation, so as to provide valuable theoretical reference for the diversified development of figure skating in China;meanwhile, it can broaden the international vision of dance art and have certain reference value for its development.

关 键 词：冬奥会 花样滑冰 双人自由滑 国际舞蹈语汇 

分 类 号：J70-05[艺术—舞蹈]