《皇清职贡图》中的广西壮族形象研究  

A STUDY ON GUANGXI ZHUANG MONORITY'S IMAGES IN HUANGQING ZHIGONG TU

作　　者：黄金东[1,2] 杨燕飞 Huang Jindong;Yang Yanfei

机构地区：[1]中央民族大学图书馆,北京100081 [2]中央民族大学中国边疆民族历史研究院,北京100081 [3]山西大同大学,山西大同037009

出　　处：《广西民族研究》2022年第2期148-156,共9页GUANGXI ETHNIC STUDIES

基　　金：国家社会科学基金一般项目“中华民族共同体的历史图像表征:《皇清职贡图》研究”(21BMZ089)。

摘　　要：《皇清职贡图》是清乾隆时期由官方组织绘写的大型民族图册,它以人物图像的形式呈现了清初国内外尤其是中国周边各族群的形象。通过解读和分析其中涉及广西壮族的图像发现,图册整体呈现了一个长相端庄、气质典雅、文化独特、性情朴实、开化文明、开放包容的壮族形象。这一构建和呈现形式,比较真实、完整地还原了清前期广西壮族的民族形象,而且表明《皇清职贡图》不仅以图像的形式表征了清初中华民族共同体不断发展的历史过程,而且也是此历史过程的确凿视觉事实。Huangqing Zhigong Tu(the picture album of subordinate peoples of the Qing dynasty)is a large-scale ethnic album drawn by the government during the Qianlong period of Qing Dynasty,and it presents the images of various ethnic minorities at home and abroad,especially around China,through figure portraits in early Qing Dynasty.Through interpretating and analyzing involved portraits of Guangxi's Zhuang minority,it is found that the album presents Zhuang images as dignified appearance,elegant disposition,unique culture,simple temperament,well civilization,and open with inclusion.This construction and presentation form have not only truly and completely restored the ethnic image of Guangxi's Zhuang minority in early Qing Dynasty,but also showed that Huangqing Zhigong Tu not only represents the continuously developing historical process of Chinese nation community in early Qing Dynasty through the form of portraits,but also proves to be conclusive visual facts of this historical process.

关 键 词：皇清职贡图 壮族形象 视觉表征 中华民族共同体 

分 类 号：C95[社会学—民族学]