武士穷途的侘寂之美:山田洋次的武士三部曲  

Beauty of Wabi-Sabi in Declining Samurai:The Samurai Trilogy by Yôji Yamada

作　　者：白蔚 BAI Wei(School of Marxism, Shenyang Aerospace University, Shenyang 110136, China)

机构地区：[1]沈阳航空航天大学马克思主义学院,沈阳110136

出　　处：《长春大学学报》2022年第5期47-52,共6页Journal of Changchun University

基　　金：辽宁省教育厅科学研究经费重点攻关项目(WZD201906)。

摘　　要：日本著名电影编剧、导演山田洋次的武士三部曲以行将落幕的幕府制度为历史背景,通过描绘日暮途穷的武士的历史命运和个体遭际,从生死之际武士个体生命的时间美学切入武士道的精神腹地,以侘寂之美消解了武士道的杀伐之气,以“生”的自觉超越了传统武士道“死”的觉悟。在电影叙事中,侘主要表现为人在宅中的空间叙事,寂主要表现为历史磨洗的时间叙事。The Samurai Trilogy by the famous Japanese screenwriter and director Yji Yamada,taking the shogunate system that is about to come to an end as historical background,discusses the spiritual hinterland of Bushido from time aesthetics of the individual life of the samurais at the life-and-death moment by describing the historical fate and individual encounters of the samurais who are facing general predestined decline,dissolves the killing spirit of Bushido by the beauty of Wabi-Sabi and transcends the“death”consciousness of traditional Bushido by the“life”consciousness.In film narrative,Wabi mainly is represented as the spatial narrative of people in their homes,while Sabi is mainly manifested as the time narration in history.

关 键 词：侘寂 武士道 空间叙事 时间叙事 

分 类 号：G02[文化科学] J905.2[艺术—电影电视艺术]