论周邦彦词的合乐性  

On the Harmony of Zhou Bang-yan's Poetry

作　　者：邓美思 DENG Mei-si(Liaoning University,Shenyang 110000,China)

机构地区：[1]辽宁大学,沈阳110000

出　　处：《齐齐哈尔师范高等专科学校学报》2022年第3期49-52,共4页Journal of Qiqihar Junior Teachers College

摘　　要：陈廷焯在《白雨斋词话》中详细论述了清真词的佳处,“今之谈词者,亦知尊美成。然知其佳,不知其所以佳。正坐不解沈郁顿挫之妙。”[1]周邦彦多数词牌的词作都被后世奉为正格宗之,究其原因,在于美成颇通音律,依声律填词,后世不通音律者依其声韵总结词之格律,因格律填词。本文从清真词的合乐性入手,从清真词的形式、意境两方面分析其合乐性。In Bai Yu Zhai Ci Hua,Chen Ting-zhuo discussed the merits of Qingzhen poetry in detail."Those who talk about poetry today also know how to respect meicheng.Know its beauty,but don't know why it is so good.Because they don't know why is frustrated."Most of Zhou Bang-yan's epigraph of name works are regarded by later generations as upright ones.The reason lies in the fact that the beauty is quite familiar with the rhythm and lyrics are written according to the rhythm,while those who don't understand the rhythm in later generations sum up the rhythm of words and lyrics according to the rhythm.This paper starts with the musical nature of Qingzhen poetry,and analyzes its musical nature from the form and artistic conception of halal words.

关 键 词：周邦彦 词 合乐 

分 类 号：I206[文学—中国文学]