抗战语境下传统文化的正向书写——鹿桥《未央歌》再解读  

On the Acclaiming Traditional Culture in During the Anti-Japanese War——to Reinterpret Wei Yang Ge by Lu Qiao

作　　者：赵双花[1] ZHAO Shuanghua(School of humanities and communication,Jining University,Qufu 273155,China)

机构地区：[1]济宁学院人文与传播学院,山东曲阜273155

出　　处：《济宁学院学报》2022年第3期20-26,共7页Journal of Jining University

基　　金：教育部人文社会科学青年基金项目“战争文化语境下现代小说叙事抒情化的可能与限度研究(1937-1949)”(18YJC751069);山东省高校科研计划项目“西南联大师生的小说创作对中国文学抒情传统的承续研究”(J18RB203)。

摘　　要：《未央歌》立足于作家的真实经历,将宏观的战争进程编织在叙事中,并不忘强调小说蕴含的道德训诫意义,充分体现了以史传为正统的文学观。人物塑造是传统写意式的,注重风采、气质的传达。与之对应,人和自然的相契合与古典天人合一的哲学观相匹配,而以儒家文化为核心的传统文化精神更是深植于青春成长历程中。《未央歌》中传统文化的正向书写体现了在历史转捩期,中国现代小说叙事进路的多重可能,亦给当下的文化建设及文学创作资源的借鉴,提供了有益启示。On the one hand, Wei Yang Ge was based on Lu Qiao’s learning experience,on the othe hand, Lu Qiao had weaved the macroscopic war with a strong independent process, and didn’t forget to emphasize the moral admonition meaning contained in the novel, which fully embodied the literary view of taking historical biography as orthodox. Characterization was in traditional Chinese freehand style, which focused on showing their elegant demeanor and temperament. Correspondingly, the harmony betweenhuman and naturematches with the classical philosophy that human was an integral part of nature, while the traditional cultural content which centers on Confucian culture was integrated into the growth process of youth.The positivenarrative of traditional culture in Wei Yang Ge manifests multiple narrative possibilities of Chinese modern novels in the historical transition period, and provided beneficial enlightenment forcontemporary cultural construction and reference ofliterary creation resources.

关 键 词：鹿桥 《未央歌》 抗战 传统文化 正向 

分 类 号：I207.2[文学—中国文学]