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作 者:李亚航 Li Yahang
机构地区:[1]南京大学历史学院
出 处:《日本侵华南京大屠杀研究》2022年第2期119-130,143,144,共14页Journal of Japanese Invasion of China and Nanjing Massacre
摘 要:日本发动全面侵华战争后,为加强军国主义思想宣传和舆论控制,1939年,日本政府颁布《电影法》,企图利用电影为战争服务。《电影法》在很大程度上把法律的执行标准和力度交给行政机构决断,由政府主导电影产业的结构性重组。通过整合电影公司、统一发行系统和从业资格认定等,日本政府从根本上掌控了电影业的命脉。同时,日本政府还通过强制上映文化电影和新闻电影,以国家的意愿主导电影业的发展。在国家权力的强力干预下,日本电影在粉饰侵略本质、煽动战争狂热、鼓吹“东亚共荣”、推动大陆拓殖等方面起到了宣传和动员的作用,鼓动日本民众充当侵略战争的牺牲品和支持者。同时,电影统制还作为文化侵略的手段,被广泛应用于日本在中国沦陷区的殖民统治中,电影成为鼓吹“日中亲善”,推行奴化教育的重要工具。After launching the total war of aggression against China,to strengthen the propaganda of militarism and the control of public opinion,the Japanese government promulgated the Film Law in 1939 in an attempt to use films to serve the war.The Film Law largely left the implementation of the law to the decision of the administrative organizations,and it was up to the government to lead the structural reorganization of the film industry.By integrating the film companies,unifying the distribution system and the qualification recognition,the Japanese government fundamentally controls the lifeline of the film industry.Meanwhile,the Japanese government also played a leading role in the development of the film industry by the will of the country via forcing the release of cultural film and news picture.With the strong intervention of state power,Japanese films played a key role in publicizing and mobilization,whitewashing the nature of aggression,inciting war fever,advocating“Co-prosperity of East Asia”,promoting the continental colonization and encouraging the Japanese people to be the victims and supporters of the war of aggression.At the same time,the control towards the films was also widely used in the colonial rule of occupied areas in China as a means of cultural aggression.Film became an important tool to advocate“Japan-China Friendship”and promote enslaving education.
分 类 号:D931.3[政治法律—法学] DD912.1[历史地理—历史学] K313.46[历史地理—世界史] J943[艺术—电影电视艺术]
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