汉画舞蹈分类的双向辨识  

Bidirectional Identification of Dance Categorization in the Paintings of Han Dynasty

作　　者：刘建[1] LIU Jian(Department of Dance Studies,Beijing Dance Academy,Beijing 100091,China)

机构地区：[1]北京舞蹈学院舞蹈学系,北京100091

出　　处：《贵州大学学报（艺术版）》2022年第4期1-14,F0002,共15页Journal of Guizhou University Art Edition

摘　　要：从本体论来讲,汉画舞蹈是曾经在场的舞蹈,而非仅仅是不在场的绘画艺术。今天,站在使其重新在场的立场上,其分门别类的问题就显得特别重要,否则我们不能有条不紊地着手进行。由于语境的不充分,“碎片化”的汉画舞蹈分类当以外部的物理构形为先,从徒手舞、道具舞及其子类深入到内部的舞蹈形象、表演形式和身体技术等方面的研究,按照双向辨识厘清这个看似简单其实很复杂的问题。Ontologically speaking,dances in the paintings of Han Dynasty are ones that were once present,rather than a painting art that is absent.And thus nowadays,their categorization becomes particularly important from the standpoint of making them present again,otherwise we cannot continue their studies in an orderly manner.Due to the insufficient context,when classifying the“fragmented”dances in the paintings of Han Dynasty,it should first consider the external physical configurations,such as bare-handed dance,prop dance and their sub-categories.And then it can study the internal dance images,performance styles and body techniques and so on.Through the method of bidirectional identification,it can clarify this problem that seems simple but actually complex.

关 键 词：汉画舞蹈 分类 外部物理构形 内部形象表演 

分 类 号：J722.4[艺术—舞蹈]