戏曲选本刊刻与明清戏曲接受观念的演变  

On the Printings of Opera Anthology and the Conceptual Evolutions in Opera Reception during Ming and Qing Dynasties

作　　者：石超 SHI Chao(School of Chinese Language and Literature,Central China Normal University,Wuhan,Hubei 430079,China)

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《贵州大学学报（艺术版）》2022年第4期86-92,共7页Journal of Guizhou University Art Edition

基　　金：2020年度国家社科基金一般项目“明清戏曲版画插图的形态、功能与审美风尚研究”(项目编号:20BZW086);2017年度教育部人文社会科学研究青年项目“明清戏曲插图及图文关系研究”(项目编号:17YJC751028)。

摘　　要：戏曲选本历经元明清三代,是古代受众接受戏曲的重要方式之一,它不仅承载着选家的编选理念,也昭示着戏曲消费语境中的接受习惯。在大众文化消费心理的左右下,戏曲选本紧跟戏曲消费时尚,适时调整选录标准及编选体例,揭示出明清戏曲接受观念演变的轨迹。As one of the important ways indicating audience’s opera reception,opera anthologies in Ming and Qing Dynasties not only carried the editing concepts of anthology editor,but also indicated the reception habits in the contexts of opera consumption after going three dynasties of Yuan,Ming and Qing.Influenced by the consumption psychology of mass culture,opera anthologies closely followed the consumption fashion,timely adjusted their selection criteria and compilation methods,and revealed the conceptual evolutions in opera reception in Ming and Qing Dynasties.

关 键 词：明清 戏曲选本 戏曲接受 流变 

分 类 号：J820.9[艺术—戏剧戏曲]