明清福建篆刻艺术风格地域异质性研究  

Study on the regional heterogeneity of seal carving artistic style in Fujian in Ming and Qing Dynasties

作　　者：李晨阳[1] 屈峰[2] LI Chenyang;QU Feng(Jinshan College,Fujian Agriculture and Forestry University,Fuzhou,Fujian 350002,China;College of Economics and Management,Fujian Agriculture and Forestry University,Fuzhou,Fujian 350002,China)

机构地区：[1]福建农林大学金山学院,福建福州350002 [2]福建农林大学经济管理学院,福建福州350002

出　　处：《福建农林大学学报（哲学社会科学版）》2022年第4期106-112,共7页Journal of Fujian Agriculture and Forestry University(Philosophy and Social Sciences)

基　　金：福建省社会科学规划项目(FJ2019B129);福建省科技厅软科学项目(2021R0034);福建农林大学社会科学基金项目(XPY201907)。

摘　　要：作为刻石文化的重要组成部分,福建篆刻集艺术性和实用性于一体,具有审美与实用的双重属性,其艺术风格具有地域特色并受印人隐性话语权力的影响。基于权力理论,从文化权力的宏观视角,审视明清福建篆刻艺术风格呈现的地域异质性,并从文化权力角度解释艺术风格的延续及变化原因。As an important part of the stone carving culture,seal carving integrates artistry and practicality,and has dual attributes of aesthetics and practicality.Its artistic style is inevitably affected by the triple influence of creators,art sponsors and art critics.Hence,artistic concepts with regional characteristics and implicit power discourse have been formed.Based on the theory of power and from the macro perspective of cultural power,this paper examines the regional heterogeneity of the artistic style of seal carving,and explains the reasons for the continuation and changes of the artistic style from the perspective of cultural power.

关 键 词：福建篆刻 艺术风格 地域异质性 

分 类 号：J212[艺术—美术]