《福乐智慧》死亡观的审美价值:向死而生  

On Aesthetic Value of Kadatku Bilik

作　　者：张杰 ZHANG Jie

机构地区：[1]海南师范大学文学院,海南海口571158

出　　处：《青海民族研究》2022年第1期223-228,共6页Qinghai Journal of Ethnology

摘　　要：《福乐智慧》中写到了月圆和觉醒两个人物的死亡。二者的身份、人生观、社会经历等有很大差异,但其临终前后的死亡场景都体现出畏死与超越并存的崇高的美感,二人赴死的过程亦是向其最本真的存在回归的过程。相对而言,月圆去世表现出的伦理价值更多,而觉醒因其特殊的隐士身份和孤独的死亡显示出更多的宗教价值和美学价值。《福乐智慧》对死亡的认知反映了喀拉汗王朝时期知识分子的文化心态,其中的某些思考与20世纪的存在主义哲学有殊途同归之处。Kadatku Bilik writes about the death of two characters, Yueyuan and Juexing, whose social status, outlooks on life and social experiences are quite different. Meanwhile, the death scenes of these two men represent the sublime beauty including both fear and transcendence. Yueyuan and Juexing’s process of dying is also the one of returning to their most authentic existence. Relatively speaking,Yueyuan’s death shows more ethical value while Juexing’s shows more religious value and aesthetic value because of his identity as a hermit and his lonely death. Cognition and understanding of death in Kadatku Bilik reflects the cultural mentality of the intellectuals in the Karahan Dynasty, but some of these thoughts seem quite similar to the existential philosophy of 20th century.

关 键 词：福乐智慧 死亡场景 畏死 崇高 向死而生 

分 类 号：C95[社会学—民族学]