比较文学视野中的鲁迅与夏目漱石  

Lu Xun and Natsume Soseki in the Perspective of Comparative Literature

作　　者：宋浩成[1] Song Haocheng(School of Humanities,Shaoxing University,Shaoxing 312000,China)

机构地区：[1]绍兴文理学院人文学院,浙江绍兴312000

出　　处：《浙江大学学报（人文社会科学版）》2022年第4期155-162,共8页Journal of Zhejiang University:Humanities and Social Sciences

基　　金：浙江省哲学社会科学规划项目(17NDJC141YB)。

摘　　要：鲁迅与夏目漱石在文学观念与技巧上有契合之处。在小说、散文、散文诗等不同体裁的文学创作中,鲁迅与夏目漱石都存在着文学上的关联。《呐喊》与《我是猫》注重以空间叙事来完成小说结构的建构;《朝花夕拾》与《永日小品》里展示出来的是文字的“余裕”;《野草》与《梦十夜》是生命独语的展现。然而,《呐喊》空间建构上的复杂和多元、《朝花夕拾》里温暖的情感和自由率性的笔墨趣味、《野草》的凌厉和冷峻,又显示出鲁迅的独特创造。The literary connection between the Shaoxing-born Chinese writer and social critic Lu Xun and the Japanese novelist Natsume Soseki has been well established in Chinese and Japanese scholarship in comparative literature. The connection itself is evident not only through Lu Xun’s translations of Soseki’s works, but also through multiple writings by his contemporaries, later scholars,and Lu Xun himself. His younger brother and early comparativist Zhou Zuoren also frequently acknowledged Lu Xun’s admiration of Soseki’s novels, and indeed the Zhou brothers’ commentaries on the relationship between Lu Xun and Soseki led scholars of later generations to continue deeper exploration and interpretation, constituting the foundation and accumulation of this thesis. However,existing scholarship on the relationship is often a comparative interpretation of single works, or a comparison of the inheritance and influence of the two writers. Such research is important for constructing the literary connection between Lu Xun and Soseki, but there is still much room for further comparative interpretations of their texts.This article intends to extend the literary discussion of Lu Xun and Soseki’s work in terms of their conformity and innovation across various genres—novels, prose and prose poetry, and demonstrate in these, a visionary and transitive discourse system.The paper compares three texts by each author within three interpretive frameworks:1. Spatial narrative or space construction in Lu Xun’s Call to Arms and Soseki’s I Am a Cat. Space is an important element in the construction of the two texts and assumes the corresponding narrative functions such as viewpoint and aggregation. It affects the direction of characters and events,participates in the construction of the text’s main theme.2. The space of “surplus words”. Another aspect of narrative spatiality is the leisurely excess of quotidian expression, characterized by Soseki as “Yu Yu”. This is demonstrated in Lu Xun’s Zhaohua Xishi and Soseki�

关 键 词：鲁迅 夏目漱石 比较文学 叙事空间“ 余裕” 生命独语 

分 类 号：I106-03[文学—世界文学]