谷斯范现代长篇小说文体范式研究——以《新水浒》《新桃花扇》为例  

Study on the Stylistic Paradigm of Gu Sifan’s Modern Novels——Taking New Water Margin and New Peach Blossom Fan as the Examples

作　　者：董卉川 赵艺佳 Dong Huichuan;Zhao Yijia(College of International Education, Qingdao University, Qingdao Shandong 266071,China)

机构地区：[1]青岛大学国际教育学院,山东青岛266071

出　　处：《河北科技师范学院学报（社会科学版）》2022年第2期61-67,共7页Journal of Hebei Normal University of Science & Technology(Social Sciences)

基　　金：国家社科基金重点项目“中国新文学学术史研究”(20AZW015)。

摘　　要：谷斯范的现代长篇小说有《新水浒》和《新桃花扇》,“新”系列作品在文体外型上为典型的古典章回形式,语言范式具有以白话为主、文言为辅的文白杂糅特质。迫于当时的政治形势,谷斯范为了能够将自我的思想主旨呈现在读者面前,被动地选择了古典章回的文体外型以及通俗小说和历史小说的表现方式。但无论是古典章回的文体外型还是文白杂糅的语言范式,亦或历史题材的应用,实际都是为其现实观照的文体内核所服务。谷斯范以真挚深厚的情感,以严肃深刻的笔调,描绘世相的悲惨、揭示人性的丑恶、批判政治的腐败。谷斯范的现代长篇小说中渗透着作者个人强烈的人文关怀精神,以及现代学人强烈的社会责任感、历史使命感。Gu Sifan’s modern novels include New Water Margin and New Peach Blossom Fan.His“new”series are typical forms of classical chapters,and the language paradigm mainly features vernacular Chinese with few classical Chinese.Forced by the political situation at that time,Gu Sifan presents his thoughts with the style and forms of classical chapters,popular novels and historical novels.All the mentioned above serve the realistic observation.With his sincere emotion,Gu Sifan depicts the tragedy of the world,reveals the ugliness of human nature,and criticizes the corruption of politics.Gu Sifan’s modern novels reflects his strong sense of humanistic care,social responsibility and historical mission as a modern scholar.

关 键 词：谷斯范 现代长篇小说 《新水浒》 《新桃花扇》 

分 类 号：I207.425[文学—中国文学]