电影记忆与民国南昌--从明星影片公司江西电影行谈起(1933年-1949年)  

Nanchang in the Film Memories of the Republic of China:A Case Study of the Mingxing Film Company

作　　者：余克东 YU Kedong(College of Communication,Fujian Normal University,Fuzhou 350117,China)

机构地区：[1]福建师范大学传播学院,福建福州350117

出　　处：《中北大学学报（社会科学版）》2022年第4期119-125,共7页Journal of North University of China：Social Science Edition

基　　金：2018年国家艺术科学重大项目:中国电影学派理论体系构建研究(18ZD14)。

摘　　要：长久以来,江西游离于中国电影史表述的边缘,南昌与电影的互动一直为学界所遮蔽。然而,自1930年以来,南北对峙下的江西却是中国政治舞台的中心,通过对民国电影报刊及相关文献的整理可以发现,南昌不仅与当时民营电影公司巨头--明星影片公司有亲密的互动,而且与国民政府的“中制”“中电”“励志社”都有着紧密的联系,并在一定程度上影响着左翼电影运动的发展,南昌并未“缺席”与“失语”于中国电影发展史,其在民国时期的官营电影事业中扮演着至关重要的角色。The role of Nanchang in the history of Chinese films has not been emphasized by the academia.In the 1930’s,Jiangxi was at the central stage of Chinese politics in the contexts of North-South Confrontation.This article investigates the relevant literatures on the films of the Republic of China(ROC)and finds that Nanchang had close interactions with the Mingxing Film Company and the“Zhongzhi”,“Zhongdian”and“Lizhishe”owned by the government of the ROC.Nanchang had certain influences on the development of the left-wing film movement and played a vital role in the films governed by the governments of the ROC.

关 键 词：明星影片公司 南昌行营 官营电影事业 左翼电影运动 

分 类 号：J909.2[艺术—电影电视艺术]