魏晋时期古琴音乐的个性解放  

Individual Liberation of Guqin Music in Wei and Jin Dynasties

作　　者：李尔康 LI Erkang(Department of Chinese Music,Tianjin Conservatory of Music,Tianjin 300171,China)

机构地区：[1]天津音乐学院民乐系,天津300171

出　　处：《中北大学学报（社会科学版）》2022年第4期131-135,共5页Journal of North University of China：Social Science Edition

摘　　要：魏晋时期是古琴音乐发展最重要的阶段之一。此前的古琴艺术因资料所限,难知其详,但大概知其从属于乐队与弦歌。魏晋的战争和乱离,使得古代中国走向多民族文化融合的道路;现实和政治的无常,又使人们真正转向了对避世的渴望和自我的追求。此时,古琴形制趋于稳定,为其向独奏乐器的转变打下基础,琴曲《广陵散》的音乐表达更加独立,以嵇康为代表的琴人在思想上更加自由。古琴艺术由此进入个性解放的发展时期,对后世琴乐在技巧、情感、表演形式等方面的发展起到决定性作用。Wei Jin period is one of the most important stages of Guqin music development.The previous Guqin art is difficult to know in detail due to limited data,but it is probably known that it belongs to the band and string song.The war and chaos in the Wei and Jin Dynasties led ancient China to the road of multi-ethnic cultural integration;The impermanence of reality and politics makes people really turn to the desire to avoid the world and the pursuit of self.At this time,the shape and system of the ancient Qin tended to be stable,laying the foundation for its transformation to a solo instrument.The musical expression of the Qin song Guanglingsan was more independent,and the Qin people represented by Ji Kang were more free in ideology.As a result,guqin art has entered a period of personalized development,which plays a decisive role in the development of guqin music in later generations in terms of techniques,emotional expression,performance forms,etc.

关 键 词：古琴艺术 魏晋时期 个性解放 乐器形制 广陵散 嵇康 

分 类 号：K235[历史地理—历史学]