温庭筠乐评诗作初探  

A Study of Wen Tingyun’s Music Poems

作　　者：王雯婧[1] 明言[2] WANG Wenjing;Ming Yan

机构地区：[1]南京晓庄学院音乐学院,南京210000 [2]天津音乐学院音乐学系,天津300171

出　　处：《音乐文化研究》2022年第2期122-129,5,6,共10页Music Culture Studies

基　　金：2021年度国家社科基金后期资助重点项目“中国古代音乐批评史·远古至中古卷”(项目批准号:21FYSA002)系列之第五章“隋唐五代的音乐批评”中的一节。

摘　　要：温庭筠是一位才华横溢的诗人,也是一位极富造诣的音乐家。在批评史上,人们习惯于将白居易《琵琶行》、韩愈《听颖师弹琴》、李贺《李凭箜篌引》称之为“摹写声音之至文”。文章认为温庭筠乐评诗作(《夜宴谣》《弹筝人》《郭处士击瓯歌》《觱篥歌》《舞衣曲》等),就“摹写声音”的细腻度、艺术性而言不可小觑。In the Tang dynasty poetry and music were originally combined as one.WenTingyun was a talented poet and an accomplished musician.In the history of criticism,Bai Juyi’s Pipa Xing,Han Yu’s Listening to Master Ying Play the Qin and Li He’s Li Ping Playing Konghou are claimed as the best texts for describing music sound.This article argues that Wen Tingyun’s poems such as The Ballad of the Night Banquet,Zither Player,The Song of Guo Daoyuan Hitting the Ou,The Song of Bili and The Song of the Dancing Dress should not be underestimated in terms of their subtlety and artistry in‘describing sound’.

关 键 词：温庭筠 音乐批评 诗歌 

分 类 号：J609.2[艺术—音乐]