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作 者:孙海宁 Sun Haining
机构地区:[1]四川大学历史文化学院 [2]河南大学黄河文明与可持续发展研究中心
出 处:《考古与文物》2022年第3期79-86,共8页Archaeology and Cultural Relics
摘 要:者[氵刀]钟的形制、纹饰、铭文用语、字体风格均为春秋战国之际的风格,综合各方面的信息,者[氵刀]钟铭文“唯越十又九年”应为越王勾践十九年。东周时期,者钟两列钮钟的编列方式,只有高等级贵族才能使用,这种组合方式目前最早见于春秋时期河南新郑郑国祭祀遗址,者[氵刀]编钟很可能就是受这种编列形式的影响,并在此基础上发展而出的,其源头可追溯至西周晚期两列甬钟的编列方式。The shape,decoration,inscriptions and style of characters on the Zhediao chime bells represent the typical characteristics during the transition of the Spring-and-Autumn and Warring States period.During the Eastern Zhou period,only those high elites were allowed to use the set of chime belles like the Zhediao chime bells.The assemblage represented by the Zhediao chime bells first emerged around the time illustrated by the sacrificial pits that contain musical instrument of the Zheng state in Xinzheng,Henan Province,dating to the Middle Spring-and-Autumn period.This paper suggests that the way the Zhediao chimes bells was used might have been under the influence represented by the Xinzheng example,which could also be traced back to the assemblage exemplified by the yong bells of the Late Western Zhou period.
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