论90年代文学的审美转型  

On the Aesthetic Transformation of Literature in the 1990s

作　　者：黄发有[1] Huang Fayou(School of Literature,Shandong University,Jinan 250100)

机构地区：[1]山东大学文学院,济南250100

出　　处：《浙江社会科学》2022年第7期112-118,160,共8页Zhejiang Social Sciences

基　　金：2018年国家社科基金重大项目“中国当代文学期刊发展史”(18ZDA266)阶段性成果。

摘　　要：伴随着计划经济向市场经济的转型,我国上世纪90年代文学表现出鲜明的过渡性,在价值倾向和审美选择上都发生了明显的转型。在价值定位上,90年代文学从精英审美向市场审美转变,市场审美具有消费性与竞争性、平民化和包容性、实用性和流动性特征;在叙事形态上,90年代文学从宏大叙事向日常叙事转变,文学与时代、社会、媒介的多元互动推动了日常生活的审美化潮流;在历史题材创作领域,90年代文学从呈现“大历史”向描述“人的历史”转变,文学创作重点关注的是民间的历史、地方性的历史和小人物的历史,作家讲述的往往是故乡的历史和故乡人的历史。90年代开创了一条具有中国特色、促进人类进步的文明复兴新道路,创造了人类文明新形态。With the transition from a planned economy to a market economy,literature showed a distinct transitional in the 1990s,whose value orientation and aesthetic choice of literature have undergone a clear transformation.In terms of value positioning,literature changed from elite aesthetics to market aesthetics,and market aesthetics had the characteristics of consumption,competition,popularization,inclusiveness,practicality,mobility.In terms of narrative form,literature changed from macro narrative to daily narrative,and the multiple interactions between literature and the times,society,media promoted the aesthetic trend of daily life.In the field of historical theme creation,literature in the 1990s changed from presenting“macro history”to describing“human history”.Literary creation focused on folk history,local history and the history of micro people.Writers often told about the history of their hometown and the history of the natives.

关 键 词：90年代文学 审美转型 市场审美 日常叙事 人的历史 

分 类 号：I206.7[文学—中国文学]