心象风景:韩国文人笔下的“桃源图”诗文题咏  

Mental Landscape: Korean Literati’s Poetic Inscriptions of “Peach Blossom Spring”Paintings

作　　者：崔雄权[1] Cui Xiongquan(the College of Korean and Chinese Literature,Yanbian University,Yanji 133002,China)

机构地区：[1]延边大学朝汉文学院

出　　处：《外国文学研究》2022年第3期100-111,共12页Foreign Literature Studies

基　　金：国家社科基金一般项目“韩国古代与中国关联题画诗研究”(14XWW005)。

摘　　要：高丽中期中国唐代兴起的“桃源图”创作及其诗文题咏传入韩国后,开启了绵延一千余年的“桃源图”诗文题咏传统。韩国文人承袭了中国“桃源图”与题画诗文所蕴含的对生命自由境界的追求、对人生如梦的感慨、对理想治世思想内涵的承袭,同时,他们为了不落窠臼,在书写与接受过程中表现出对传统主题的回避与延展,深化了大同世界高尚主题的宣示性书写,开拓了入世精神的现实意义,体现出鲜明的民族特色与独特的审美个性。韩国文人创作的“桃源图”诗文题咏蕴藉着他们对于高尚人格和中国文化的膜拜与向往。从陶渊明的《桃花源诗并记》衍生出来的“桃源图”与诗文题咏给韩国文人提供了想象中国文化的中介物,形成了其独特的心象风景。After the paintings known as “Peach Blossom Spring” and their poetic inscriptions,which emerged in China during the Tang Dynasty, were introduced to Korea in the middle of the Goryeo Dynasty, a tradition of writing poetic inscriptions for these paintings started in Korea and lasted over a thousand years. Korean literati carried on a series of notions insinuated in the Chinese paintings of “Peach Blossom Spring” and their poetic inscriptions: such as pursuing the free realm of life, perceiving life as a dream, and adopting the ideological connotation of ideal governance. However, they did not follow the beaten track. While writing and assessing those inscriptions, they evaded and extended traditional themes, enhanced their declarative writing about the noble theme of pantisocracy, and explored the practical significance of “integrating into society,” thus demonstrating their distinctive national characteristics and unique aesthetic sensibilities. In Korean literati’s poetic inscriptions, there seems to be some deep worship and yearning for noble character and Chinese culture. The paintings and their poetic inscriptions derived from Tao Yuanming’s “The Poem of Peach Blossom Spring and Notes” served as the medium, through which Korean literati imagined Chinese culture and visualized their unique mental landscape.

关 键 词：韩国文学 “桃源图” 诗文题咏 共相与异相 群体阐释效应 

分 类 号：I312.06[文学—其他各国文学]