符号学语义下的革命博物馆装饰浮雕研究——以辛亥革命博物馆入口浮雕《共和之基》为例  

Research on Decorative Relief of Revolution Museum in Semiotic Semantics

作　　者：金山 

机构地区：[1]不详

出　　处：《上海工艺美术》2022年第2期119-121,共3页Shanghai Arts & Crafts

摘　　要：近年来,全国各地的革命博物馆建设如火如荼。装饰浮雕作为革命博物馆中的常用形式,具有鲜明的装饰性与符号性,在展项设计中愈发受到重视,如何理解其蕴含的语言符号中表达的信息,是提高展示信息传播效率的关键。本文通过研究符号学、博物馆与装饰浮雕的相关理论,再结合武汉辛亥革命博物馆的入口浮雕《共和之基》作为案例,运用符号学方法解读这一浮雕中语言符号的传播机制,以期为以后的博物馆装饰浮雕设计提供理论参考。On the occasion of the 100th anniversary of the founding of the Communist Party of China, the construction of revolutionary museums in various places is in full swing. Decorative relief, as a common form in the Revolutionary Museum, has distinct decorative and symbolic properties. It has been paid more and more attention in the design of exhibition items. How to understand the information expressed in the language symbols contained in it is the key to improving the efficiency of display information transmission. By studying the related theories of semiotics, museums and decorative reliefs, and combining the entrance relief "The Foundation of the Republic" of Wuhan Museum of the Revolution of 1911 as a case, this article uses semiotic methods to interpret the communication mechanism of language signs in this relief, hoping for the future The decorative relief design of the museum provides a theoretical reference.

关 键 词：革命博物馆 符号学方法 常用形式 语言符号 传播机制 浮雕 符号性 展项设计 

分 类 号：J312.2[艺术—美术]