广州三元宫道观园林审美文化特征  

The Aesthetic Cultural Characteristics of Taoist Gardens in Guangzhou Sanyuan Palace

作　　者：袁月 徐应锦 唐孝祥[1] YUAN Yue;XU Ying-jin;TANG Xiao-xiang

机构地区：[1]华南理工大学建筑学院,广州510640

出　　处：《广东园林》2022年第3期58-63,共6页Guangdong Landscape Architecture

基　　金：国家自然科学基金“岭南道观园林空间演变机制研究”(编号51978272);国家社会科学基金“岭南道教传统的建构及其演化研究”(编号19BZJ049)。

摘　　要：广州三元宫是岭南地区历史最悠久的宫观遗产之一,是研究岭南道观园林审美文化的重要线索。在分析其空间形成文化背景和社会条件的基础上,结合风景园林美学和风景园林史学的相关理论研究发现,三元宫的环境格局、建筑布局和空间序列融汇了道家美学思想,呈现“藏风得水、道法自然”的格局特征。其借助中国传统园林有无相生、步移景异的创作手法,营造出“时空一体、渐入佳境”景观特点,并融汇岭南文化中务实致用、寻乐享闲思想,形成“兼容世俗、追求真趣”的文化特色。Guangzhou Sanyuan Palace is one of the oldest palace heritages in Lingnan.It is an important clue for studying the aesthetic culture of Lingnan Taoist gardens.On the basis of analyzing the cultural background and social conditions of its space formation,the research combines the related theories of landscape architecture aesthetics and landscape architecture history.It is found that the environmental pattern,architectural layout and spatial sequence of the Sanyuan Palace integrate the Taoist aesthetic ideas,presenting the pattern characteristics of“adapting to landscape environment and following nature”.With the help of the creative techniques of Chinese traditional gardens,such as“the interaction of being and nothingness and varying sceneries with changing view-points”,the landscape features of“integrating time and space and entering a higher realm of aesthetics”are created.It integrates the pragmatic and practical ideas of Lingnan culture and the idea of pursing pleasure and leisure,and forms the cultural characteristics of“being compatible with the common customs and the spirits to pursue nature”.

关 键 词：风景园林美学 广州三元宫 空间格局 景观营造 文化意蕴 

分 类 号：TU986[建筑科学—城市规划与设计]