东情西韵:当代西方服装设计中的东方意象  

East Meeting West:Oriental Image in Contemporary Western Fashion Design

作　　者：刘也鸣 杜羿纬[1] LIU Ye-ming;DU Yi-wei(School of Design and Art,The Guangzhou Academy of Fine Arts,Guangzhou,Guangdong,510261)

机构地区：[1]广州美术学院视觉艺术设计学院,广东广州510261

出　　处：《湖南包装》2022年第3期24-26,共3页

摘　　要：文章从纽约大都会博物馆时尚展览“中国:镜花水月”这一个案谈起,从时尚、瓷器、艺术和电影等方面探讨中国文化对艺术创作带来的影响。简要分析了东西方审美之异同,并对于“中国风”这一名词由来及其影响到的当代西方时尚设计进行了深入举例分析。并以目前服装设计领域中东西方文化交融现象及不同文化的侧重点为观照,得出需要情理交融的文化融合趋势。The article starts with the case of the fashion exhibition"China:Through the Looking Glass"at the Metropolitan Museum of Art in New York,and discusses the influence of Chinese culture on artistic creation from the aspects of fashion,porcelain,art and film.This paper briefly analyzes the similarities and differences between Eastern and Western aesthetics,and gives an in-depth analysis of the origin of the term"Chinese style"and the contemporary Western fashion design it affects,and based on the current phenomenon of the integration of Middle East and Western cultures in the field of fashion design and the focus of different cultures,the trend of cultural integration that requires a blend of reason and reason is drawn.

关 键 词：服装设计 东方意象 中国风 文化融合 

分 类 号：TS941.2[轻工技术与工程—服装设计与工程]