从叙事学视野看《公民凯恩》的人物形象塑造  

On the creation of characters in Citizen Kane from the perspective of narratology

作　　者：王倩倩 WANG Qian-qian(School of Arts,Anhui University,Hefei,220039,China)

机构地区：[1]安徽大学文学院,合肥220039

出　　处：《闽西职业技术学院学报》2022年第2期52-56,共5页Journal of Minxi Vocational and Technical College

摘　　要：1941年上映的电影《公民凯恩》在塑造人物形象时,采用多层次、多视点以及非线性的叙事手法,使影片主人公形象更加立体、真实。叙述层次上,剥洋葱式的叙事方式,使观众对凯恩的认识由表及里、层层深入;叙述视点上,内叙述视点和外叙述视点双重运用,使凯恩的形象更加多元、立体;叙述时间上,从时序、时距、频率展现不同时段的凯恩,塑造发展中的人物形象。The movie Citizen Kane was released in 1941,it uses multi-level,multi-view and non-linear narrative techniques when shaping the character image,making the image of the protagonist in the film three-dimensional and real.At the narrative level,the narration style of“peeling the onion”makes the audience get to know Kane from the outside to the inside,and layer by layer;on the narrative point of view,the dual use of the inner and outer narrative points of view makes Kane's image more diversified and three-dimensional;in terms of narrative time,Citizen Kane shows Kane's image at different times in terms of time sequence,time interval,and frequency,shaping a developing character image.

关 键 词：《公民凯恩》 电影评论 叙事手法 人物形象 

分 类 号：J905.712[艺术—电影电视艺术]