“人格主义”与阿部次郎的德川文艺分析  

“Personalism”and Abe Jiro's Analysis of Tokugawa Literature and Art

作　　者：王向远 Wang Xiangyuan

机构地区：[1]广东外语外贸大学东方学研究所,广东广州510420

出　　处：《南京师范大学文学院学报》2022年第2期1-11,共11页Journal of School of Chinese Language and Culture Nanjing Normal University

摘　　要：日本现代哲学家、文学家阿部次郎在《人格主义》一书中最早建构了“人格主义”理论,并在《德川时代的艺术与社会》一书中,运用于人格主义理论对日本“町人”(工商业者阶层)的伦理人格与审美人格及其矛盾做了细致分析,从町人遭受压迫而扭曲的人格中,在貌似病态的艺术形式中现出顽强生命力与创作力。他肯定了町人在自由的审美王国中对人格建构的不懈追求,确认了德川文艺中的“色道”与“情欲生活的美学化”之于人格建构的作用,从而在价值论与方法论上初步形成了以人格建构为宗旨、以审美价值为中心的人格主义伦理批评与人格主义文艺美学,至今仍不失启发性与参考价值。Japanese modern philosopher and writer Kojiro Abe constructed the theory of“personalism”firstly in his book Personalism,and in his book The Art of Tokugawa Era and Society,he applied this theory to make a careful analysis of the contradiction between the ethical and aesthetic personalities of the Japanese“Tingren”(Urban business class).From the oppressed and distorted personality of these people,he has identified the tenacious vitality and creativity in the seemingly morbid art forms.He affirmed these people’s pursuit of personality construction in a free aesthetic realm,confirmed the role of personality construction of“the sexual Dao”and“the aestheticized passionate life”in Tokugawa art.By these,he initially formed the personalist ethics criticism and personalist art aesthetics in terms of axiology and methodology which takes personality construction as the goal and the aesthetic value as the center.This theory still has enlightening significance and reference value even today.

关 键 词：阿部次郎 人格主义 人格主义批评 德川文艺 

分 类 号：I3[文学—其他各国文学] I7