屈原《九歌》神话人物意象及其原型意义阐释  

Interpretation of the Image and Its Prototype Significance of the Mythological Characters in Qu Yuan's Nine Songs

作　　者：杨月 孙宁 YANG Yue;SUN Ning(School of Humanities,Shaanxi University of Technology,Hanzhong,Shaanxi 723001,China)

机构地区：[1]陕西理工大学人文学院,陕西汉中723001

出　　处：《湖北职业技术学院学报》2022年第2期56-61,共6页Journal of Hubei Polytechnic Institute

基　　金：陕西省社会科学基金项目“言语行为视域下的文学语言研究”(项目编号:2021H022)阶段性成果。

摘　　要：屈原所作的抒情诗《九歌》来源于楚国民间的祭神乐歌,表现了一套巫术祭祀的展演过程,同时借神灵以抒情,创造了若干神话人物意象。《九歌》的神话人物意象大体分为天神、地祇、人鬼三类,是屈原就神话原型的继承和创造,后来在中国文学史上演变为文学原型。它们作为原型时,用集体无意识的力量带给屈原超越时空的心理慰藉意义;演变为文学原型后,直接影响了后世文学意境的营造和情思的表达,并不断与后世创作者的文化心理结构相契合,对中国文学的诗词传统和民族文学的言说方式影响深远。Qu Yuan's lyric poem Nine Songs is derived from the folk music of offering sacrifices to gods in Chu Ci,which shows a set of witchcraft sacrificial performance process.At the same time,he creates some mythological images by expressing his feelings to gods.The images of mythological characters in Nine Songs can be divided into three categories:god,earth man and ghost,which are inherited and created by Qu Yuan on the mythological archetypes,and later turned into literary archetypes in the history of Chinese literature.As the prototype,they bring Qu Yuan psychological comfort beyond time and space with the collective unconscious power.Later it is evolved into the literary prototype,directly influences the construction of literary artistic conception and the expression of emotion and thought,and constantly matches with the cultural psychological structure of the creators of the later generations,and has had a profound influence on the poetry tradition of Chinese literature and the way of speech of national literature.

关 键 词：屈原 九歌 人物意象 神话原型 

分 类 号：I207[文学—中国文学]