全流程实时可视化:电影数字虚拟制片的创新与突破  

The Creative Values of Whole-workflow Real-time Visualization: Innovations of Digital Virtual Production in Films

作　　者：陈奕[1,2] Chen Yi

机构地区：[1]浙江传媒学院电影学院 [2]时光坐标传媒科技

出　　处：《电影艺术》2022年第3期116-124,共9页Film Art

摘　　要：从2020年开始,虚拟制片凭借“全流程可视化”“实时”“数字资产”三个关键词成了电影行业的热点。本文从《刺杀小说家》《不良井之风云再起》《三体》(短片)等影视作品创作案例的经验与思考入手,分析传统影视拍摄创作过程中的难点,围绕全程可视化的支点解析“虚拟制片”“虚拟拍摄”得以实现的条件和方法,重点介绍了LED屏和数字资产等新技术为电影拍摄带来的便利,探究全流程实时可视化拍摄对中国电影创作的巨大潜力和价值。Since 2020, virtual production has become a focus of the film industry, with particular emphasis on “whole-workflow visualization”, “realtime” and “digital assets”. Starting from personal experiences in the conceptualization and creation of various film and television works such as A Writer’s Odyssey and The Three-Body Problem(short film), this paper analyzes the “pain points” in conventional film production, and demonstrates the great potential values of whole-workflow real-time visualization for Chinese film creation in the context of “virtual production” and “virtual shooting”

关 键 词：虚拟制片 全流程可视化 实时数字图像引擎 数字资产 

分 类 号：J931[艺术—电影电视艺术] TP391.41[自动化与计算机技术—计算机应用技术]