电视剧《觉醒年代》中的隐喻研究  

A Study of Metaphors in TV Drama The Age of Awakening

作　　者：韩涛[1] HAN Tao(School of Japanese and International Studies,Beijing Foreign Studies University,Beijing,100089,China)

机构地区：[1]北京外国语大学日语学院,北京100089

出　　处：《福建江夏学院学报》2022年第3期113-118,共6页Journal of Fujian Jiangxia University

基　　金：国家社科基金一般项目“基于大规模自建语料库的日本近现代文学作品中爱情隐喻模式系统性研究”(18BYY225)。

摘　　要：影视作品的表达离不开隐喻,电视剧《觉醒年代》在表现手法上融入了大量多模态隐喻和蓄意隐喻。从类型上看,这些隐喻大致可分为常规隐喻、意象隐喻和诗性隐喻。从功能上看,这些隐喻不单单止于美学效果,还蕴含了深刻的思想内涵。借助隐喻的巧妙运用,《觉醒年代》为广大电视观众带来了一场无与伦比的视听盛宴,同时它也为今后如何在影视创作中巧妙地融入隐喻元素树立了典范。Metaphorical symbols are indispensable to the expression of films or television works.For instance,the TV drama The Age of Awakening incorporates a number of multimodal metaphors and deliberate metaphors in its presentation.The metaphors in this drama can be roughly divided into three types:conventional metaphors,imagery metaphors and poetic metaphors.In terms of functions,these metaphorical symbols are not only aesthetically effective but also contain profound ideological connotations.Through the ingenious use of metaphorical symbols,The Age of Awakening brings an unparalleled audio-visual feast to its viewers.Meanwhile,it also sets an example of how metaphors can be skillfully integrated into future film and television works.

关 键 词：《觉醒年代》 隐喻类型 美学效果 思想内涵 

分 类 号：H15[语言文字—汉语]