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作 者:汤扬[1] TANG Yang(Wanjiang College of Anhui Normal University, Wuhu 241008, China)
出 处:《皖西学院学报》2022年第3期123-128,共6页Journal of West Anhui University
基 金:安徽省2020年度省级质量工程教学研究一般项目(2020jyxm0697)阶段性研究成果。
摘 要:琵琶协奏曲《晚秋》以著名词人辛弃疾的词为题,借深秋之景诉悲苦之情,作曲家充分利用琵琶自身特点,使得乐器与创作融为一体,将深秋的满目萧瑟与作曲家的满心愁苦、迷茫表现得淋漓尽致。通过对作品中音乐材料重复与留白的创作技法、一波三折的音乐结构及其隐喻式的情感表达进行较为细致的分析,探究了作品中西方音乐作曲技法与传统民族器乐演奏的完美结合,人文精神以及创作特色。The Pipa concerto“Late Autumn”,which is based on a poem of the same title by the famous poet Xin Qiji(1140–1207),depicts the late autumn scenery to express the grief.The composer,who makes full use of the characteristics of the Pipa itself,brings about the integration of the instrument and the composition to fully express the desolate scenery of the late autumn and the grief and confusion of the composer.Through a more detailed analysis of the compositional techniques including the repeated use of musical materials and Liubai(leaving blank space),of the musical structure with its twists and turns,and of its metaphorical expression of emotions,this paper explores the perfect combination of Western music composition techniques and traditional folk instrumental performance,the humanistic spirit,and the compositional characteristics of the work.
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