为诗歌理想“弯腰拔草”的小海  

Xiao Hai:“Bending Over and Pulling Weeds”for Poetic Ideals

作　　者：崔修建[1] CUI Xiujian(College of Arts,Harbin Normal University,Harbin 150025,China)

机构地区：[1]哈尔滨师范大学文学院,黑龙江哈尔滨150025

出　　处：《苏州教育学院学报》2022年第3期62-67,共6页Journal of Suzhou College of Education

摘　　要：具有乡村哲学家和都市艺术家气质的小海,致力于充满本土气息的诗歌写作,故乡海安的村庄、河流、庄稼和劳作者既是他情感宣泄的通道,也是他寄寓诗歌理想的沃土,他站在“所处的时代”,将田园作为一种“精神隐喻”,传递出城市文明与乡村文明激烈碰撞中独特的个人生命体验和发现。他认真凝视、倾听和挖掘凡俗的城市日常生活、庞杂的历史和隐秘的心灵世界,努力建构自我与民族、国家、世界的紧密联系并尝试具有普遍意义的现代诗歌写作,以期成为一名真正的“中国诗人”。Xiao Hai,who has the temperament of a rural philosopher and an urban artist,has always been committed to poetry writing full of local flavor.The villages,rivers,crops and laborers in his hometown Hai’an are not only a channel for him to express his emotions,but also a fertile land for him to express his poetic ideals.Standing in the“era”,he takes the countryside as a“spiritual metaphor”.He conveys the unique personal life experience and discovery in the fierce collision between urban civilization and rural civilization.He gazes at,listens to and explores the mundane urban daily life,the complicated history and the secret spiritual world,and tries to build a modern poetry writing with universal significance,which was closely linked with the nation,the country and the world.He tries to become a real“Chinese poet”.

关 键 词：小海 当代诗歌 乡村书写 城市日常生活 《必须弯腰拔草到午后》 《大秦帝国》 《影子之歌》 诗歌理想 

分 类 号：I207.25[文学—中国文学]