诗是发现自我并重构关系的认知事件——论小海的诗  

Poetry is a Cognitive Event of Self-discovering and Relationship Reconstructing:On Xiao Hai’s Poems

作　　者：陈爱中 CHEN Aizhong(College of Arts,Guangxi University for Nationalities,Nanning 530006,China)

机构地区：[1]广西民族大学文学院,广西南宁530006

出　　处：《苏州教育学院学报》2022年第3期89-95,共7页Journal of Suzhou College of Education

基　　金：教育部人文社科一般项目(19YJA751002)。

摘　　要：作为20世纪80年代“他们”诗派中的重要成员,小海遵循韩东等人提出的诗学观念。20世纪90年代,他的“北凌河”和“村庄”系列诗歌以内在的隐喻方式重构故乡的“异托邦”,重构现代诗学经验。21世纪以来,小海的《大秦帝国》《影子之歌》面世,标志着小海的诗歌在实现自我主体性建构的基础上对历史与周围关系进行重建,成为强力诗人之一,并在写作现实上重构与“他们”诗人群的关系。Xiao Hai,as an important member of the“They”poetry school in the 1980s,follows the poetic concepts put forward by Han Dong and the other poets.In the 1990s,his poem series of“Beilinghe”and“Village”reconstructed the“heterotopias”of his hometown and the experience of modern poetics.Since the 21st century,Xiao Hai’s The Qin Empire and The Song of Shadow have been published,marking the reconstruction of the relationship between history and the surroundings on the basis of realizing the construction of self-subjectivity in Xiao Hai’s poetry.Xiao Hai has become one of the powerful poets,reconstructing the relationship with“They”poets in writing reality.

关 键 词：小海 当代诗歌 “他们” 《村庄与田园》 《大秦帝国》 《影子之歌》 主体性 建构 

分 类 号：I207.25[文学—中国文学]