小海诗歌:“独异个人”的精神确证和艺术观照  

Xiao Hai’s Poetry:Spiritual Confirmation and Artistic Reflection of“Unique Individual”

作　　者：白杰[1] BAI Jie(School of Literature,Taiyuan Normal University,Taiyuan 030012,China)

机构地区：[1]太原师范学院文学院,山西太原030012

出　　处：《苏州教育学院学报》2022年第3期104-108,共5页Journal of Suzhou College of Education

基　　金：山西省哲学社会科学规划课题(2020YJ151)。

摘　　要：小海早期诗作即已显露的“独异个人”的精神姿态深刻影响了他的诗学观念及艺术风格,使其自觉疏离于诗歌主潮、诗歌运动、集团流派,并长期坚持高度的个人化写作。诗人立足丰厚的个体生命、开阔的诗学视野而对各种盛行诗坛的主流创作或先锋实验加以校验纠偏,在抒情诗创作上磨砺出独具一格的艺术品质,如吸纳戏剧场景技法、间离抒情主体与抒情对象,创造出可写性的文本空间和陌生化的美学效果。作品创设的画面往往典雅素洁,犹如素描风景画,见长于色彩、明暗、质感的调配等。Xiao Hai’s early poems showed his spiritual attitude of“unique individual”,which deeply affected his poetic concept and artistic style,and made him consciously alienate from the main trend of poetry,poetry movement and poetry groups,and adhere to a high degree of personalized writing for a long time.Based on his rich individual life and broad poetic vision,the poet checked and corrected the mainstream creation or pioneer experiments in various popular poetic circles,and honed his unique artistic quality in the creation of lyric poems.For example,absorbing dramatic scene techniques,and separating lyric subject and object help create writable text space and unfamiliar aesthetic effect.The pictures created in the works are often elegant and simple resembling sketch landscape paintings,which is good at the deployment of color,light,texture,etc.

关 键 词：小海 当代诗歌 “独异个人” 戏剧场景 个人化写作 

分 类 号：I207.25[文学—中国文学]