东京奥运会女子平衡木决赛动作编排特征分析  

Analysis on motion choreography features of women’s balance beam final in Tokyo Olympic Games

作　　者：王亚茹 李思民[1] WANG Yaru;LI Simin(Sports Science School of Qufu Normal University,Qufu 273165,Shandong,China)

机构地区：[1]曲阜师范大学体育科学学院,山东曲阜273165

出　　处：《辽宁体育科技》2022年第4期1-6,共6页Liaoning Sport Science and Technology

摘　　要：采用文献资料法、录像观察法和数理统计法,以东京奥运会女子平衡木决赛前8名运动员成套动编排为研究对象,对其进行深度解析,探讨平衡木成套动作编排特征与发展趋势。结果显示:(1)运动员最终得分呈现2个级别,D分和E分均呈现上升趋势,动作向高难度、高完成质量方向发展;(2)各国运动员在上法动作编排差距不大,中、高难度的D、E组上法成为运动员的最佳选择;(3)平衡木决赛木中出现难度增加的趋势,技巧类动作与跳步类动作呈多样化发展,木中连接动作占比较大,混合动作连接逐渐占据主导地位,木中连接动作的发展也呈现多样化趋势;(4)单个难度动作下法逐渐减少,踺子连接空翻类高难度动作成为平衡木下法的主流,平衡木下法向着更高难度发展。By using the methods of literature,video observation and mathematical statistics,this paper takes the complete choreography of the top 8 women’s balance beam final in Tokyo Olympic Games as the research object,and discusses its characteristics and development trend.The results show that:(1)the final scores of both D and E showed an upward trend,and the movements developed towards high difficulty and high quality;(2)There is not much difference in the movement choreography of athletes from different country and the middle and high difficulty group D and E have become the best pursuit of athletes’mount;(3)Skill and jumping movements showed diversified development,and the connection of mixed movements gradually occupied the dominant position,and the connection movement accounted for a large proportion and presented a diversified trend;(4)The solo difficult moves gradually diminished,and the difficult combinations of Arab Spring and Somersault became the dominant step toward higher difficulty.

关 键 词：东京奥运会 女子平衡木 动作编排 

分 类 号：G832.7[文化科学—体育训练]