论清代“忆语体”小说中的戏曲书写  

On the Writing of Opera in Qing Dynasty“Yiyu Style”Novels

作　　者：常晓静 CHANG Xiaojing(College of Humanities,Shanghai Normal University Shanghai 200234,China)

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《荆楚学刊》2022年第3期34-39,共6页Jingchu Academic Journal

摘　　要：以悼亡和回忆为主题的清代“忆语体”小说,在叙述往事的同时也记录了大量的戏曲活动,其中以《影梅庵忆语》《浮生六记》《香畹楼忆语》尤为突出。根据“忆语体”小说中戏曲书写的特点,可从戏曲评论、戏曲演出以及咏剧诗三个方面展开讨论。小说中的戏曲评论行为以女性为评论主体,对于展示其中女性人物的性格特点具有重要意义,其中记载的戏曲演出活动再现了清代江南一带的好戏风尚,而咏剧诗中所提及的剧目具有一定的戏曲史料价值。同时,戏曲书写也是“忆语体”小说诗性美的重要因素,在小说中的作用亦不可替代。The Qing dynasty novels in the“Yiyu style”,which focus on mourning and reminiscence,also record a large number of opera activities while recounting past events,among which the“Yiyu of Yingmeian”,“Six Records of a Floating Life”and“Yiyu of Xiangwanlou”are particularly prominent.According to the characteristics of opera writing in the novels of the“Yiyu”style”,three aspects can be discussed:opera criticism,opera performances,and poems about opera.Women as the critic’s main subject in the novel,importantly demostrates the female character traits;the opera performances recorded therein reproduce the fashion of nice opera in the Jiangnan area during the Qing Dynasty;and the plays mentioned in the aria poems have some historical value in opera.At the same time,the opera writing is also an important element of the poetic beauty of the“Yiyu Style”novel,which role in the novel is irreplaceable.

关 键 词：忆语体 《影梅庵忆语》 《浮生六记》 《香畹楼忆语》 戏曲 

分 类 号：I206[文学—中国文学]