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作 者:李海波 Li Haibo
机构地区:[1]华东师范大学传播学院
出 处:《新闻与传播研究》2022年第6期5-21,126,共18页Journalism & Communication
基 金:国家哲学社会科学基金项目“'新革命史’视野下的延安时期新闻传播史研究”(项目编号:20BX016)的阶段性研究成果。
摘 要:在中国共产党的文化宣传事业发展历程中,新闻与文艺在革命政治中的角色、知识分子与政党的关系、文宣领域的管理规范均在1942年发生历史性转变。既往研究中未获足够重视的《解放日报》改版座谈会,勾连了新闻、文艺与政党政治的关联,典型表征了这种转变,堪称文艺座谈会的先声和预演:党报办报方针的实用化调整在此收官,更为深入的新闻工作者思想观念的革新行将开启;文艺界喧闹的“延安之春”在此终结,文艺整风与知识分子改造旋即铺开。新闻与文艺一道被纳入政党政治与革命秩序的内部,在动员体制中发挥媒介作用,承当起宣传群众和组织群众的任务。In the development of cultural propaganda by the Communist Party of China,the role of journalism and art in the revolutionary cause the relationship between intellectuals and the party and the management norms in the field of literature and journalism underwent a historic change in the 1942 The forum on reforming the Yan'an Liberation Daily has not been sufficiently studied It connected journalism,literature and art,and party politics The forum is a typical exemplification of this change It can be called a precursor and a preview of the Yan'an Forum on Literature and Art.Firstly,the adjustment towards a practical philosophy in the party's newspaper policy succeeded Deeper reforms of journalists'thoughts and ideas started as well.Secondly,the noisy“Yan'an Spring”in the literary and artistic circlesended.The rectification of literature and art and the transformation of intellectuals started to immediately unfold Journalism,literature and art were incorporated into the party politics and revolutionary order.They played the role of a medium in the mobilization system and assumed the task of propaganda and organizing the masses.
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