异托邦、身体与僭越的文学——论《一座幽灵城市的拓扑学结构》  

Heterotopias,Body and Literature of Transgression:On Topologie d’une CitéFant me

作　　者：于锦江 马汉广[1] YU Jinjiang;MA Hanguang(School of Literature,Heilongjiang University,Harbin 150080,China)

机构地区：[1]黑龙江大学文学院,黑龙江哈尔滨150080

出　　处：《江苏海洋大学学报（人文社会科学版）》2022年第4期66-74,共9页Journal of Jiangsu Ocean University（Humanities & Social Sciences Edition）

摘　　要：不同于情节驱动的传统现实主义小说,《一座幽灵城市的拓扑学结构》借鉴了几何学中的拓扑学方法,在不断进行拓扑运动的空间去延续文本,从而试图描摹一个幽灵般的城市景观。小说中的文本空间具有福柯所说的“异托邦”的诸种特征,并打开了全新的空间视域,在此空间中的人,以身体的形式被予以文学话语的表现。文章分析了这“身体”的特殊性质,并在异托空间中揭示出该小说如何通过先锋的形式,在人之生存的极限状态处完成了一种福柯式的“僭越”,从而展露一种独特的艺术性。Topologie d’une cité fantome is different from the traditional realistic novel driven by plot. It draws on the topological method of geometry to continue the text in the space of continuous topological movement, trying to describe a text about ghost city. The text space in the novel has various characteristics of Foucault’s so-called “heterotopias”, and opens a new spatial horizon in a topological way. People in this space are expressed in literary discourse in the form of body. This paper will analyze the special nature of this “body”, and reveal how the novel completes a Foucault style “transgression” at the limit state of human survival in the form of vanguard, so as to reveal a unique artistry.

关 键 词：阿兰·罗伯—格里耶 米歇尔·福柯 异托邦 身体 僭越 《一座幽灵城市的拓扑学结构》 

分 类 号：I106.4[文学—世界文学]