过街天桥:徐则臣京漂小说的空间隐喻  

Overpass:The Spatial Metaphor in Xu Ze-chen’s Novels on Beijing Drifters

作　　者：周春霞[1] ZHOU Chun-xia(School of Applied Arts and Sciences,Beijing Union University,Beijing 100191,China)

机构地区：[1]北京联合大学应用文理学院,北京100191

出　　处：《北京联合大学学报（人文社会科学版）》2022年第3期47-51,60,共6页Journal of Beijing Union University(Humanities and Social Sciences)

基　　金：北京联合大学“人才强校-百杰计划”“改革开放四十年北京城市景观书写变迁研究”(项目编号:BPHR2018CS02);北京学基地开放课题“北京城市书写中的文化乡愁研究”(项目编号:BJXJD-KT2018-YB09)。

摘　　要：与传统京味文学不同,徐则臣的京漂小说在地理景观、空间意象、符号体系等层面呈现出独特面貌。徐则臣精心塑造了过街天桥这一空间意象并赋予其独特意蕴。作为徐则臣小说中频繁出现的空间意象,过街天桥构成独特的“异质空间”,在这里,城市与乡村狭路相逢,历史与现实互相映照,自我与他者短兵相接。徐则臣通过对过街天桥的书写传达着他对北京这座城市乃至全球版图中的中国与北京的文化体验与认知绘图,力图表现出“京漂”族在理想与现实、顺从与抗争、融入与疏离之间的矛盾纠结。Different from the traditional Beijing literature,Xu Ze-chen’s novels on Beijing drifters show unique features in geographical landscape,spatial image,symbol system and so on.Xu Ze-chen has repeatedly written and carefully shaped the spatial image of the overpass and endowed it with unique meanings.As a space image frequently appearing in Xu Ze-chen’s novels,the overpass constitutes a unique“heterogeneous space,”in which the city and the countryside meet on a narrow road,the history and reality reflect each other,and the self and the other are in close combat.By writing about the overpass,Xu Ze-chen conveys his cultural experience and cognitive drawing of China and Beijing in the city of Beijing and even the global territory,trying to show the tangle between ideal and reality,obedience and resistance,integration and alienation of the Beijing drifters or even the whole generation.

关 键 词：过街天桥 徐则臣 京漂小说 空间隐喻 

分 类 号：I207.42[文学—中国文学]