觉囊派历史与艺术源流考辨  

A Study on the Historical and Artistic Origin of the Jonang School

作　　者：王怡潇 Wang Yi-xiao

机构地区：[1]青海民族大学艺术学院,青海西宁810007

出　　处：《青海民族大学学报（社会科学版）》2022年第2期177-185,共9页Journal of Qinghai Minzu University：Social Sciences

摘　　要：近年来,藏传佛教觉囊派的绘画作品受到社会越来越多的关注,觉囊不仅有历史上留传下来的典型作品,更有这些年自己培养出的一批年轻画师。通过梳理觉囊派在西藏、四川、青海地区的发展脉络,整理各处所保留下来的绘画作品,可以认识到觉囊派历经八九百年而传承不衰,觉囊的绘画也随时代、地域的变迁而自有特点,在藏传佛教绘画史上占有重要的地位。In recent years,the paintings of the Jonang School of Tibetan Buddhism have been paid more and more attention by the society.Jonang not only has typical works handed down in history,but also has a group of young painters who have been cultivated by themselves over the years.By combing the development of the Jonang School in Tibet,Sichuan and Qinghai provinces and sorting out the paintings preserved everywhere,we can realize the Jonang School has been inherited for 800 or 900 years,so its paintings have their own characteristics with the changes of times and regions and occupies an important position in the history of Tibetan Buddhist painting since ancient times.

关 键 词：觉囊 拉孜 绘画 

分 类 号：J222.6[艺术—美术]